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At present, there are thousands of webcams or networked security cameras that broadcast publicly over the Internet. A simple Google search reveals countless results for these types of cameras, including many that may not intended for public scrutiny but are catalogued nonetheless by search bots. The ceaseless flow of images from these autonomous cameras is typically ephemeral and unremarked, but provides fertile material for artistic investigation.

In my project I harvest these ambient video streams, using a telematic practice of ’sampling’ the photographs from the virtual cameras, and transform them into video-music compositions and rhythmic micro-narratives. I meld the found images, which are often disassociated from any recognizable locality, into time-lapse videos, then use the minutiae of these tiny vignettes as a visual ’score’ for which I compose a tightly-synchronized musical accompaniment. These videos provide a means of visualizing temporary and fleeting moments that are ordinarily invisible in our experience of everyday life. The resulting rhythms of change, textures of image, patterns of human movement, and qualities of light are mirrored by musical motifs that form an expressive, subtle portrait of the original spaces, of which the location remains unknown.

Watch video

At present, there are thousands of webcams or networked security cameras that broadcast publicly over the Internet. A simple Google search reveals countless results for these types of cameras, including many that may not intended for public scrutiny but are catalogued nonetheless by search bots. The ceaseless flow of images from these autonomous cameras is typically ephemeral and unremarked, but provides fertile material for artistic investigation.

In my project I harvest these ambient video streams, using a telematic practice of ’sampling’ the photographs from the virtual cameras, and transform them into video-music compositions and rhythmic micro-narratives. I meld the found images, which are often disassociated from any recognizable locality, into time-lapse videos, then use the minutiae of these tiny vignettes as a visual ’score’ for which I compose a tightly-synchronized musical accompaniment. These videos provide a means of visualizing temporary and fleeting moments that are ordinarily invisible in our experience of everyday life. The resulting rhythms of change, textures of image, patterns of human movement, and qualities of light are mirrored by musical motifs that form an expressive, subtle portrait of the original spaces, of which the location remains unknown.

The funky 11-piece juggernaut is back this summer!

A collection of musical compositions created over the last year or so under my solo moniker Avocado Kid.

Each song can be thought of as a soundtrack to a distinct imaginary world. As most of them are quite brief, I conceive of them as miniature themes, conjuring the essential impression of a scene and story.

The instruments I play on these tracks include electric and upright bass, drum kit, guitars, electric piano and organ, violin, bamboo saxophone, trombone, synthesizers, drum machines, african and latin percussion, melodica, voice.