{"id":710,"date":"2018-10-05T09:52:46","date_gmt":"2018-10-05T13:52:46","guid":{"rendered":"http:\/\/www.joshuarosenstock.com\/teaching\/lightart-a18\/?p=710"},"modified":"2018-10-05T09:52:46","modified_gmt":"2018-10-05T13:52:46","slug":"polish-and-present-john-stegeman","status":"publish","type":"post","link":"https:\/\/www.joshuarosenstock.com\/teaching\/lightart-a18\/jtstegeman\/polish-and-present-john-stegeman\/","title":{"rendered":"Polish and Present: John Stegeman"},"content":{"rendered":"

Since I had the system working and all my images chosen at the Everything Working assignment, this week was about refinement.\u00a0 I spent part of this week repainting scuff marks on the box holding the electronics, and covered up the one exposed wire (which unfortunately must be there to enable reasonable transport) with black tape to minimize its distraction.\u00a0\u00a0The finished box is shown below, painted and resting on the floor.<\/p>\n

For the display of the project on the last class, my piece will work fine being set on a table.\u00a0 It has a stable base and was designed to be able to sit on tables for temporary displays without sacrificing quality of the final image. For more permanent displays however, my piece has screw holes that would let it be mounted to a wall that ensures better image quality and more precise alignment of the strip to the vertical for perfect images.\u00a0 The ultimate location for this would be along a moving walkway, where people would be able to stand still and move past the piece at a constant rate easily. The exact timing of images being displayed would be altered to match the walkways speed as close as possible.<\/p>\n