{"id":2600,"date":"2021-11-11T00:10:13","date_gmt":"2021-11-11T05:10:13","guid":{"rendered":"https:\/\/www.joshuarosenstock.com\/teaching\/imgd3500-b21\/?p=2600"},"modified":"2021-11-11T00:10:13","modified_gmt":"2021-11-11T05:10:13","slug":"making-textures-for-charlotte","status":"publish","type":"post","link":"https:\/\/www.joshuarosenstock.com\/teaching\/imgd3500-b21\/vrindeiko\/making-textures-for-charlotte\/","title":{"rendered":"Making Textures for Charlotte"},"content":{"rendered":"\n

For my game, I will primarily use one material that will be slightly adjusted per model. I experimented a lot and made a smart material in Substance Painter that looks like watercolor paint and has lots of flexibility. I also made a paper texture in Substance Sampler that I included in this material for a base. I first built it and tested it on the frog model that comes with Substance Painter, then I applied it to one of my models and adjusted the colors. I realized some errors I made in making my models that I can fix to make the material apply nicer, but overall a smooth transition from frog to post. For funsies, I added lineart as well, which works well since my game is isometric and the model will only be viewed from one angle. Finally, I threw it in Maya to test the affects of lighting on it. Also built upon the material to make it look like wood floors, so I know I’ll be able to build upon it if other patterns are needed.<\/p>\n\n\n\n

\"\"<\/a>
Watercolor smart material test<\/figcaption><\/figure>\n\n\n\n