{"id":1320,"date":"2020-12-10T05:06:40","date_gmt":"2020-12-10T10:06:40","guid":{"rendered":"http:\/\/www.joshuarosenstock.com\/teaching\/imgd3500-b20\/?p=1320"},"modified":"2020-12-10T05:06:40","modified_gmt":"2020-12-10T10:06:40","slug":"dylan-valev-final-project","status":"publish","type":"post","link":"https:\/\/www.joshuarosenstock.com\/teaching\/imgd3500-b20\/davalev\/dylan-valev-final-project\/","title":{"rendered":"Dylan Valev Final Project"},"content":{"rendered":"\n

Concept:<\/strong> You have crash-landed on the outskirts of the universe while riding the radiowaves with your yellow boombox. Luckily, you have found a welcoming ranch owner named Joey on the desolate undulating plane of colorful existence. Enter Joey’s home (with permission, of course) and search for two batteries and a magical bottle of liquid in order to repair your radio vessel.<\/p>\n\n\n\n

Reflection:<\/strong> This project was a great experience for me. It was the first time that I was tasked to do the entire art pipeline for a game. All of my prior projects I had always been programming, so this was a wonderful time being hands on with the assets I was using. Working on this project greatly improved my familiarity and comfort with 3D Modeling in Maya, not only for objects but also for more complex models like people! But more importantly, I learned of the crucial importance of planning an environment, and how a meticulously thought-out art direction and vision can really pay off for what you are trying to express and create!<\/p>\n\n\n\n

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