{"id":8525,"date":"2025-10-13T08:17:10","date_gmt":"2025-10-13T12:17:10","guid":{"rendered":"https:\/\/www.joshuarosenstock.com\/teaching\/imgd3500-a25\/?p=8525"},"modified":"2025-10-13T08:17:10","modified_gmt":"2025-10-13T12:17:10","slug":"kseniia-trufanova-final-project","status":"publish","type":"post","link":"https:\/\/www.joshuarosenstock.com\/teaching\/imgd3500-a25\/ktrufanova\/kseniia-trufanova-final-project\/","title":{"rendered":"Kseniia Trufanova – Final Project"},"content":{"rendered":"\n

Hey everyone! I\u2019m a bit late, but here\u2019s the final part<\/em> of my project. A lot of the inspiration came from the atmosphere and visual style of Silent Hill<\/strong>. I also tried to recreate the classic camera system from the early games, though it still feels a bit too smooth for my taste.

What is the main idea?
At the beginning of the game, the protagonist wakes up in a small apartment with peeling walls painted in a sickly green, long darkened by damp and time. The furniture and appliances feel ripped straight from the 90s: a creaking wardrobe, a rattling TV, a broken fan, as if all of it was bought in bulk from a second-hand shop. The front door is bolted shut, and outside the window, there is no street, but an endless blood-red strip swallowed by crimson fog and the sickly light of the moon. The window leads to nowhere \u2014 and yet it is into this nowhere that Jason must step. Through the first puzzles, he breaks through into the Scarlet World \u2014 the beginning of the game\u2019s second act.

So, I have tried to illustrate the exact flat from my description.<\/p>\n\n\n\n