El Super Turista
Stencil Print 2005
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Exhibición Stencil, Estudio Cruz de Piedra, Oaxaca, Mexico 2005
A year later, during the people’s resistance movement that exploded in Oaxaca in response to brutal suppression of a teacher’s strike, the public artwork created by these stencil artists became one of the most visible manifestations of the struggle. I am honored to have shared a (quieter) moment of cultural exchange with them.
It Was A Very Good Year
Stencil Print 2005
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Resist! Anti-Inaugural Ball, Acme Artworks, Chicago, IL 2005
Paper Politics West, Seattle Print Arts, Seattle, WA 2005
Paper Politics Brooklyn, 5+5 Gallery, Brooklyn, NY 2005
Paper Politics Portland, Food For Thought Gallery, Portland State Univ., Portland, OR 2006
Paper Politics Wisconsin, Crossman Gallery, Univ. Wisconsin-Whitewater, Whitewater, WI 2007
Paper Politics Milwaukee, Walker's Point Center for the Arts, Milwaukee, WI 2007
Art + Anarchy, Anarchist Bookfair, Montreal, Canada 2007
Paper Politics Texas, K Space Contemporary, Corpus Christi, TX 2008
Paper Politics Cortland, Dowd Gallery, SUNY Cortland, NY 2008
Paper Politics Syracuse, Redhouse Arts Center, Syracuse, NY, 2008
Paper Politics is a major exhibition of politically and socially engaged printmaking. The exhibit showcases print art which uses themes of social justice and global equity to engage community members in political conversation. The show has been displayed at venues throughout the country and in Canada’s biggest political art show ever, and continues to travel.
The exhibition features work by over 200 artists from the US and around the world. It is curated by Josh MacPhee, a Troy, NY-based artist, activist and author, most recently of Stencil Pirates: A Global Study of the Street Stencil.
Paper Politics presents a breathtaking tour of the many modalities of printing: relief, intaglio, lithography, silkscreen, collagraph, monotype, photography. In addition to these techniques, we are delighted to include in the show finely crafted stencils and street printing, traditional media used to convey political thought.
The show’s organizing method draws upon do-it-yourself culture, and like a band on tour, it travels becoming a networking device that connects different artists and communities who were previously unaware of each other’s work.
Git Your Hands Up!
Stencil Print 2005
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Resist! Anti-Inaugural Ball, Acme Artworks, Chicago, IL 2005
The degree to which you resist is the degree to which you are free, sings activist and war veteran Utah Phillips. In this spirit, on January 20th, Chicago artists, writers, performers, activists, and concerned citizens will gather to launch four more years of resistance on the day that George W. Bush delivers his second inaugural address.
The evening will begin with a candle-light procession departing from Wicker Park at 7:30 p.m. from the intersection of Damen and Wicker Park Avenue and arriving at ACME Artworks at 8 p.m. From 8 pm to 1 am, the event will continue at ACME Artworks.
At the gallery, visitors will browse film screenings and artwork by more than 30 local and national talents. . .
People of all ages are invited to attend this thought-provoking gathering, which will feature a chorus of diverse voices and ideas. A local alternative to the Washington D.C.-based Counter Inauguration, the event also will serve as a forum for citizens to unite, speak out, network, and explore different creative avenues of resistance.















