‘Lectric Diaspora

“Versioning” is at the heart not only of reggae but *all* Afro-American and Caribbean musics… It’s a democratic principle because it implies that no one has the final say. – Dick Hebdige, Cut ‘n’ Mix

Soulful Three

June 25th, 2008

In my early 20s, as I grew to love funky soul music, I immersed myself in the 70s output of a mighty triumvirate of singers: Sly, Stevie, and Curtis. Some of the most crucial, creative, timeless music ever recorded.

Of course, this material is pretty well known (as it should be), so rather than rehash it here, I’ll dig a bit into the “crates” for some funky versions.

First up, representing Stevie Wonder, is the very groovy Weldon Irvine. This being 1976, it starts out kinda proto-discoish, but settles into a stepping funk groove with nice horn arrangements and vocals by Don Blackman.

Weldon Irvine - Sinbad

Weldon Irvine – Don’t You Worry Bout A Thing

 

Lonnie Smith is just as groovy as many of his post-Jimmy Smith peers on the B3, but often more creative and daring. Here he reinvents Sly Stone’s classic “Stand” in a kozmik 17 minute epic jam from 1971, complete with dub effects and weird overdubbing. 

Lonnie Smith - Mama Wailer

Lonnie Smith – Stand

 

Last, we have Frank Owens doing an instrumental version of “Freddy’s Dead” from 1973. I don’t know too much about this guy, though Dusty Groove notes that Bernard Purdie produced the session and plays on it. A pretty tame treatment of the tune, but with some nice rhodes soloing in place of Curtis Mayfield’s voice. I actually think you can judge it pretty well by the cover in this case.

Frank Owens - Brown n\' Serve

Frank Owens – Freddy’s Dead




One Response to “Soulful Three”

  1. cheeba Says:

    Love the concept of your blog. Cut ‘n’ Mix has been a guiding force in my life for 15+ years.

    This generation rule the nation with version!

    Speaking of which, pleasantly surprised with the Frank Owens take on Freddy’s Dead. Thanks!

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